The work (12)
Ten seconds at a time. Twelve short clips, twelve different looks, all from real shoots, stabilized and colour graded in-house. Tap any clip to watch it large with sound.
Our system (8)
Every shoot runs the same eight stages, in the same order. The numbers below are read straight off the drive from three shoots this fall.
- 01
SD backup
Every card copied and SHA-256 checked, file by file.
- 02
Transfer
Working copies sorted into bins: interview, B-roll, establishing, detail.
- 03
Gyroflow
Every clip stabilized and measured. It stays only if it's steadier on screen.
- 04
DaVinci edit
One project per shoot: bins, stringouts, pacing, then the cut.
- 05
Grading
De-log, one creative look, one depth curve. That order on every clip.
- 06
SFX + sound
Music bed and designed sound, mixed to −14 LUFS. Nothing ships silent.
- 07
QC
Frames pulled and checked on every version before you see it.
- 08
Export
A review copy for your phone first. Full-res masters follow.
We edit from copies and never alter the camera files, and nothing from your shoot goes public until you say so. The day your files are delivered, we wipe your footage from our drives, unless you ask us to keep it. We're just here to curate an atmosphere around your business.
Editing pipeline
Read off the drive · Nov 4, 2026, 10:39| Shoot | SD backup | Transfer | Gyroflow | DaVinci edit | Grading | SFX + sound | QC | Export |
|---|---|---|---|---|---|---|---|---|
| Halloween on GranvilleShot Oct 31 · Cuts done Nov 3 | 701/701 SHA | in 6 bins | 220/220 clips | scripted cut done, DaVinci load next | Night look | −14.02 LUFS | v3 pass | review page ready |
| Burnaby Fireworks NightShot Oct 30 · Cuts done Nov 3 | 1561/1561 SHA | uses card backup | 117/117 clips | scripted cut done, DaVinci load next | Blue hour look | −14.02 LUFS | v4 pass | review page ready |
| Portrait episodeDerby Reach · In progress | 37/37 SHA | in 4 bins | 10/10 clips | next: load clips | B-roll graded | not started | not started | no cut yet |
98 of the Halloween clips went through Gyroflow again on a measured anamorphic lens profile. Client names stay off this page.
Folders on the drive, by shoot
Camera files are copied, never moved. Each shoot has an untouched card backup, a set of Gyroflow renders, and its own working folders. Client shoots get wiped after delivery. The shoots listed here are our own or still in progress. Paths start at the top of the drive.
Every clip
| Clip | Camera time | Length | Type | Verdict | Gyro check | Setting | Shake removed | Zoom | Version to edit | Size |
|---|---|---|---|---|---|---|---|---|---|---|
| Loading the clip list… | ||||||||||
Pass: at least 75% of shake removed inside 125% zoom. Flag: heavy motion, under 75% but still steadier, so the render is used and the flag stays visible. Keep original: the camera's own stabilization looked steadier, so the edit uses the original. Times are the camera clock.
Partnerships
- 01
You notice
You notice something we can do for you.
- 02
We check
We check your budget and your presence across the board.
- 03
We plan
We build a kit plan and a marketing strategy you agree to.
- 04
We go live
Shoots happen and emails go out. Your campaign is active.
- 05
You receive
Media kits reach you by email with a month of footage, and more clients hear and see your name.
- 06
We review
We decide together what worked, what didn't and what you need next. The price stays the same.
We work with all tax brackets. Your files aren't stored after delivery, so you keep peace of mind, and we keep promoting businesses and tourism in Vancouver.
One pair of hands. The whole film.
I'm Aynen, the director, camera and editor behind Aynen Media Agency. No roster, no hand-offs, no account managers. The person you talk to is the person who shows up and ships the film.
I started early, and I started paid. A high-school photography business banked $5,000 in bookings before graduation, and nights in concert photo pits taught me to land the shot in bad light and worse crowds. After that came a Film Arts intensive certificate at Langara College, film and screen arts at Emily Carr University, and film coursework at UBC.
The training paid off in rooms that check credentials at the door: runway coverage at Vancouver Fashion Week, the media team at the Vancouver Asian Film Festival, accredited press at the Vancouver Horror Show.
When you book Aynen Media Agency, you don't rent a crew. You plug into a practice that's already in motion, and your project ships with it.
- Based
- Metro Vancouver
- Shooting since
- 2018
- Trained
- Langara · Emily Carr · UBC
- Accredited
- VAFF media team · Horror Show press · VFW coverage
- Brands shot
- 15 clothing brands
- Films
- 4 short films of my own · 17 assisted as Grip, DP and 2nd AC
Every project comes with a working network: 451 contacts across film, modelling, and health and beauty, including 50 who help with leads and marketing. We're based in Metro Vancouver, with partners in Seattle and Kelowna and connections overseas.
One rig. Cinema glass. No rental roulette.
Sony FX3 Cinema Line + Sigma 28-45mm f/1.8 DG DN
The main rig. A full-frame cinema body and a constant f/1.8 from 28 to 45mm, so dark rooms, receptions and stages stay clean without a lighting truck. Everything below is owned and in the bag, and it's the exact gear that shows up on your shoot day.
That's what the core of this kit rents for in Canada: body, zoom, anamorphic prime, cine prime and batteries. It's all owned and already in the bag, so there's no rental roulette.
Prices checked Nov 4, 2026, in CAD before tax unless marked. First-day rental rates. Where no shop rents the exact piece, the closest equivalent is named.Pick the day. I'll bring the film. (7)
Straight rates, no mystery quotes. We require a 50% deposit on every package. Final pricing is confirmed on our call before anything is booked.
Evening + documentary
- Full evening coverage
- A documentary for your platforms
- Fully polished short-form videos
- Fully polished long-form video
The balance is due at delivery.
Event coverage
Weddings, galas, live rooms. Full-day coverage, highlight film and stills.
Photoshoot
Portraits, editorial, talent. Four hours and a full set ready to post and print.
Music video
Performance and narrative films, concept to cut, built around the track.
UGC brand package
A batch of short-form pieces, shot on cinema gear and finished for the feed.
50% deposit required. By Interac e-Transfer to akshay.k0524@gmail.com . It locks the date. The balance isn't due until delivery.
Photoshoots
24–72 hrsThe full set, delivered after the shoot. Ready to post, ready to print.
Every film
4 daysRaw footage to polished film in four days. The date is stated before we shoot, and kept.
- 01
Call
Fifteen minutes by phone or Zoom. We set the scope, the date and the final price.
- 02
Deposit
A 50% deposit by Interac e-Transfer is required. The agreement follows and the date is yours.
- 03
Shoot
The person you talked to shows up and shoots it. No hand-offs.
- 04
Delivery
Films in four days, photos in 24–72 hours. The balance is due at delivery, then we wipe your footage from our drives.